Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Tuesday, 12 October 2021

Squid Game and the steel industry


In the mid-20th Century South Korea was an economic minnow. It was a war-ravaged country with a largely pre-industrial economy.

In 1960, if you divided the total economic activity of South Korea by its population (GDP per capita) it amounted to just $79 per person, but within sixty years, this figure has multiplied to over $47,000 per person, which makes it one of the most prosperous large economies on earth, above large developed nations like Japan, Italy, Spain, Argentina, and Russia.

This remarkable period of economic growth in South Korea is known as the Miracle on the Han River, and it started off in the early 1960s when their government initiated the first of the country's 5 year economic plans.

The objective was to modernise the South Korean economy through full employment, and strategic investment across numerous sectors, including infrastructure (roads, rail, ports), core industries (steel, fertilizer, cement, petrochemicals ...), science, and technology.

South Korea's rapid climb up the world development rankings is proof  of how astonishingly successful their strategic investment agenda has been.

Steel industry

When South Korea set about building their first modern steel production plant they were derided by the so-called experts. Why would a country like South Korea make their own steel, when they could just import it from countries with established steel industries?

Well, South Korea ignored the heckling and derision, invested in their own steel industry, and rose from absolutely nowhere in steel production, to become the 6th largest steel producer in the entire world in 2020. 

From having no modern steel industry at all half a century ago, they've soared past countries with long-established steel industries like Germany, France, and the UK.

In 2020 South Korea produced almost ten times as much steel as the United Kingdom! 

A country with a population of just 51 million people produced almost as much steel as economic giants like Russia (146 million), Japan (125 million), and the United States (331 million).

Not bad for a country that were laughed at when they first proposed developing their own steel industry eh?

Having their own government-owned steel industry gave South Korea a huge economic advantage, allowing them to provide cheap steel to other industrial sectors they wanted to develop, especially ship building, electronics, civil engineering, and road vehicle production.

This ready supply of cheap steel helped turn small South Korean firms like Samsung, Hyundai, Kia, and LG into globally recognised brands.

Thanks in a large part to the development of their own steel industry, South Korea is now the world's largest ship-builder, with 40% of the global ship-building market!

Only China even comes remotely close to the shipbuilding power of the South Koreans.

Strategic investment, and the deliberate nurturing of core industries turned South Korea from an economic backwater into an absolute powerhouse over the course of just a few decades.

While developed countries like the UK were deliberately de-industrialising their economies and outsourcing production overseas, South Korea rocketed past them by modernising their core industries and establishing themselves as the premier high-tech, high-skill, hyper-productive economic workshop of the world.

Creative industries

Having learned from their strategic investment in core industries, the South Koreans have recently begun investing in their cultural industries too, with the objective of establishing their nation as one of the creative powerhouses of the world.

The results have already been spectacular:

You'd have to have been living in a box for the last few weeks to have not heard of the South Korean survival drama Squid Game, that's absolutely smashing streaming records across the world.

But the hit Netflix show Squid Game is far from the first massive South Korean cultural export. 

In 2020 the South Korean boy band BTS absolutely dominated global music sales, securing first and second place in the IFPI album sales chart.

Then there's Bong Joon-ho's black comedy thriller Parasite, which became the first non-English language film ever to win the Oscar for best picture in 2019.

Either it's a massive coincidence that South Korea has come from nowhere to suddenly deliver worldwide smash hits in television, music, and cinema, or maybe could have something to do with their deliberate policy of investing in their cultural industries?

Investment vs Austerity

South Korea have proven twice over that strategic investment is the key to delivering future economic prosperity, but certain western nations seem determined not to learn this lesson, especially the increasingly-parochial United Kingdom.

The UK was home to the industrial revolution, and pioneered all kinds of industries from steel foundries, through railways, to ship building.

It's all gone now, thanks to the deliberate neoliberal policy of de-industrialisation that's been pursued for the last four decades.
  • The country that invented the modern steel industry is no longer even in the top 20 world steel producers, and the remnants of its privatisation-wracked steel sector is now owned by Jingye Group, which is a state-owned Chinese regional bank.
  • The country that invented the railways no longer has a single train manufacturer.
  • The country that once "ruled the waves" deliberately tore down its own ship-building industry as part of a demented radical-right war on trade unionism (destroy the entire industry and the trade union dies with it).
As South Korea has stormed up the world rankings thanks to their strategic investment policy, the United Kingdom is falling away thanks to policies like de-industrialisation, under-investment, and austerity.

And there's a big danger of the same kind of sectoral decline happening in the UK cultural industries.

The UK is still an undisputed world leader in the creative industries, punching miles above its small island status in music, film, television, sport, and arts, but the process of decline is already underway.
  • And just to make his utter contempt for the wellbeing of Britain's £111 billion cultural industries unmistakable, Boris Johnson has recently appointed the notoriously thick, radically right-wing, culture war grifter Nadine Dorries as Britain's culture minister!
South Korea showed the UK the way on industrial strategy, but the Brits ignored it and did the polar opposite, which means South Korea is now an industrial powerhouse, and the UK seems locked into in terminal industrial decline.

South Korea is busy showing the UK the way on cultural strategy too, but once again the British government is doing the opposite, slashing away at cultural funding, when strategic investment is obviously the key to success.

The UK has already reduced itself from industrial pioneer to absolute minnows in industrial sectors that they themselves invented, and if there's not a rapid change in direction, the UK is going to see its position as cultural world leaders eroded away by the same myopic agenda of austerity cuts, and radical-right 'leave it to market forces' ideology, while other countries like South Korea surge ahead by actually investing for the future.


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OR

Saturday, 15 April 2017

The S*n's attempted hatchet job on Richard Burgon is spectacularly idiotic


Let's start with a fact that everyone should know. The S*n is a despicable hard-right propaganda rag that nobody should read. They have no respect for the truth or basic human decency. If they decide to attack you for any reason, they will print lie after lie to smear you, even if you've just survived a horrific football stadium disaster at the hands of a negligent police force.

On evening after The S*n mocked a footballer with black ancestry by comparing him to a gorilla and attacked the city of Liverpool on the eve of the Hillsborough disaster, hacks at The S*n decided to turn their fire on the Labour MP and Shadow Justice Secretary Richard Burgon.

The S*n's political editor Tom Newton Dunn attacked Burgon for supposedly joining "a heavy metal band that delights in Nazi symbols". Everything about the story is fact-averse nonsense.

Burgon hasn't joined the (not very famous) band Dream Troll, they're actually some of his old heavy metal mates from his teenage years in Leeds. He still knocks about with them now that he's an MP and they invited him to sing on one track for their latest album.

The band are not Nazi sympathisers in any way.


The cited "Nazi symbols" in the S*n article relate to Dream Troll's "We Sold Our Souls For Rock n' Troll" album cover.

It is so obviously a tribute to the legendary 1975 Black Sabbath album "We Sold Our Souls For Rock n' Roll" it's ridiculous. (judge for yourself).

Before they went to print The S*n hacks were sent a copy of the Black Sabbath album cover, but they denied that it was relevant to their story and published their misleading hatchet job regardless 


The S*n even got rentaquote Tory MP Charlie Elphicke to put his name to a load of sanctimonious drivel criticising Richard Burgon for hanging out with his old mates, calling it a "terrible misjudgement", accusing him of "sending the wrong message" and demanding that he "distance himself from this band as soon as possible".

That lot would be sanctimonious enough in its own right, but it comes from a guy who Tweeted furious condemnation of anti-fascist protesters, but said nothing to criticise the actual fascists they were opposing.

When picking a guy to condemn someone for his old mates' totally made-up fascist sympathies, it's probably best not to pick a guy who (like a lot of other Tories) is clearly a lot more sympathetic to extreme-right fanatics than those who oppose them.

A badge of honour



Burgon is a target for hacks at The S*n because he's one of the few
MPs who criticise the ruinous neoliberal economic dogma that
Rupert Murdoch and The S*n endlessly propagandise in favour of.
Anyone with any sense will know that Burgon and his old heavy metal mates have no extreme-right sympathies, and that the S*n story is a woefully misleading hatchet job that was still published despite the idiocy of it being pointed out to them before it went to print.

The problem is that an awful lot of idiots read hard-right propaganda rags* and allow themselves to be influenced by this kind of spiteful and ridiculously dishonest hatchet job.

Even if gullible people have been convinced into hating Richard Burgon by this smear-job, it's quite telling that this piss-weak fabricated nonsense is the best they can come up with to attack him.

If this embarrassingly lame rubbish is the worst they can sling at him, that just goes to show that he must be a pretty good guy that they couldn't find anything else.

Additionally, the fact that Burgon still knocks about with the mates he's known since he was a teenager, rather than going out on junkets with lobbyists and corporate executives 
in his spare time like a lot of other MPs do, is another quite strong indicator that he's a pretty decent bloke.

Burgon should see this embarrassingly lame fact-free character attack from bitter black-hearted hacks at The S*n as a real badge of honour. 


Burgon's response

Richard Burgon posted a response to the hatchet job on his Facebook page. Here's an extract.

"When The Sun hates you and what you stand for, they'll come at you. That's not right, but it's what The Sun does to people like me who have different views and principles to those of Rupert Murdoch, Kelvin MacKenzie and the rest of them.

But The Sun should leave my mates out of it. They are not politicians and they shouldn't have their lives intruded upon in this way. They are mates and they will always be my mates. In places like Leeds, we stick together.

The Sun doesn't get that. They'll make up stories about innocent people dying at Hillsborough and not care.

They'll attack trade unionists.

They'll attack police officers for getting a lunch break.

They'll attack immigrants and asylum seekers.

They'll attack people who are looking for work and people who can't work because they're ill.

Don't ever let The Sun become "The Voice of Britain" - because if it does, we will all become victims of the hate of those who run the show at The Sun." 

Boycott the S*n

On the 28th anniversary of the Hillsborough disaster it's worth reiterating that no true football fan would ever touch a copy of the S*n or be seen dead sharing links to their website on social media. How could anyone imagine that The S*n wouldn't have printed the same kind of disgusting lies if it had been their club that had lost 96 fans to appalling police negligence that day?

Even if you don't like football, there's still no excuse for supporting Rupert Murdoch's disgusting hard-right propaganda empire by actually paying money to read the utterly misleading bile he's intent on spoon feeding his readers, or giving him free publicity by sharing links to The S*n website.


 Another Angry Voice  is a "Pay As You Feel" website. You can have access to all of my work for free, or you can choose to make a small donation to help me keep writing. The choice is entirely yours.